Concrete Folded Plate Roofs

Concrete Folded Plate Roofs

C B Wilby

Preference :

Folded plates have been used on various buildings, for instance storage buildings, swimming
pools, gymnasia, offices, centres, entrances to buildings and tunnels - for examples see Plates
1-18. Sometimes industrialists like to have the facility to hang unpredicted miscellaneous light
loads from anywhere under a roof and regard the structural steelwork as inherently providing this
facility. Because of this requirement the author designed the shells shown in Plate 10 to have a
network of numerous cadmium-plated steel bolts placed through holes in the shells and through
steel anchorage plates of 152 mm (6 in) square on the top surface of the shells. Each bolt protruded
out of the soffit of the shell so that just about anything could be screwed on to it at some
future date. The nuts and plates were covered with a 50 mm (2 in) layer of vermiculite insulation
on the top of the shell, waterproofed with three layers of built-up roofing felt. This facility can
similarly be applied to the plates of folded plate roofs.
Because they are of concrete, such roofs have inherent resistance to fire, deterioration and to
atmospheric corrosion. They allow large spans to be achieved in structural concrete. This allows
flexibility of planning and mobility beneath. Where ground conditions require expensive piled
foundations the reduced number of supporting columns can be an economic advantage. For large
spans in structural concrete folded plates compete with barrel vault roofs. The plates are required
to be thicker than the shells, and there are more firms who will tackle constructing them without
excessive prices, increasing competition and sometimes making the cost more competitive than
for cylindrical shells.



Content :
  • Practicalities
  • Analysis used for the design tables
  • Factors used in the design tables
  • Construction
  • Appendices: Design tables for concrete folded plate roofs


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Managing the Building Design Process

Managing the Building Design Process

Gavin Tunstall

Preference :

There can be little doubt that towards the latter part of the twentieth century, the creation of
many new buildings in the UK had become an excessively confrontational process, encouraging
clients, designers and builders to seek to gain advantages from one another rather than to
work constructively together. Strict adherence to ‘professional’ roles and an unwillingness to
step over historically defined boundaries discouraged co-operation and collaboration.
Blinkered by contracts, time scales and costs, the process often appeared to be cramped in an
over-demanding, claims-conscious environment, fixated by narrow aims and responsibilities,
seemingly unable or unwilling to reflect a genuine concern with quality or customer care. The
Latham and Egan Reports, published in the 1990s described this situation as wasteful and very
significantly, that it was contributing to a diminution in the quality of both design and construction.
The reports laid the foundations for substantial on-going changes in practice and guidance
developed during the past 10 years.

The process of designing and constructing new buildings is a complex activity reflecting the
skills, perceptions and expectations of many individuals, who must attempt to respond to technical
and philosophical challenges, resolve debates and deal with the inevitable conflicts associated
with working together. The associated personnel difficulties and contractual obligations
cannot be dismissed lightly, but in an ideal scenario, everyone should be capable of appreciating
how and why decisions are taken so that there is a better chance of achieving the best possible
results under the prevailing circumstances. Understanding the process of building design
in terms of what should be done rather than who should do it helps to minimise the negative
restraints of professional boundaries. This book is based on my experience as an architect, but
I use the term building designer to describe the process of design and construction of an imaginary
new building offering a broad stage-by-stage explanation of the way in which ideas can
become reality. Although reference to some technical issues is inevitably based on current UK
practice, for the most part my intension is to discuss general principles, which I believe to be
universally applicable.



Content :
  • Design and the designers
  • Communication
  • Permissions and approvals
  • Inception
  • Design planning
  • The design brief
  • The Design: Function, Part 1 How buildings are used
  • The Design: Function, Part 2 Design and construction constraints
  • The design: aesthetics
  • Construction information
  • Pre-contract administration
  • Construction supervision


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